One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall
Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and
after the coming of colonialism. First published in 1958, just two years before Nigeria
declared independence from Great Britain, the book eschews the obvious temptation of
depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which
violence, war, and suffering exist, but are balanced by a strong sense of tradition,
ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of
a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and
has arrived, finally, at great prosperity and even greater reputation among his fellows in
the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to
three wives and father to several children. He is also a man who exhibits flaws well-known
in Greek tragedy:
And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him. Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber |